Afterimage : A Remembrance Piece

After hearing the news of Neil Peart’s death earlier this week – my thoughts turned to how I might acknowledge his life through the free art project. I wanted to reference his lyrics and connect these with a design familiar to Rush fans.

The song Afterimage opens with the lines:

Suddenly, you were gone

From all the lives you left your mark upon

N Peart

The song later begins to conclude with:

I learned your love for life

I feel the way that you would

I feel your presence

I remember

N Peart

Neil Peart was a private person, and news of his ill health had successfully been kept from the media – so in that respect, his death came as a shock. These words feel apt.

As an image – I chose to adapt the Rush Starman design originally by Hugh Syme. Peart once described the design as ‘the abstract man against the masses’. I’ve chosen to represent the design with tiny dots – and sought to create a fading out appearance towards the bottom of the design. ‘Afterimage’ will be the next free art drop and it will be accompanied by a print out of this blog post.

‘Afterimage’ adapted from an original design by Hugh Syme

I Had A Hand In This

Art is community : Community is art

In the Autumn of 2018, Jo Slater, who owns The Sun pub in Carshalton, approached me after I donated an art work to a charity raffle in the pub, and kindly offered some space for us to make art. Art In The Sun duly began in January of this year. A weekly gathering of curious adventurers, an experiment in experimental art.

Each session features an idea, maybe a theme, an offer of new tools, materials, techniques – just enough structure, and no more. People get to work, talking, sharing ideas, experimenting. I’m on hand if needed, but the process is largely about discovery.

Some weeks a hush falls over the group as the concentration levels rise, some weeks there’s loads of chat and laughter. We’ve been fortunate to have ELTEL perform with us a few times, and we’ve tried numerous techniques out since we started. Mark making, printing, stencil cutting, masking and layering, brushless work, tile painting, collaborative and solo works. The group takes it all on – confident in the emerging process. Plenty of our work ends up in the bin, and that’s OK.

A while back I suggested the idea of an exhibition – a chance to show our work to a wider audience. I recall the idea being received a little hesitantly, so we left it to percolate. Time passes, experiments continue, the idea is remembered again, and here we are, it’s exhibition day.

I’m off to The Sun. My role today is that of curator, and general setter upper. I’m proud of this lovely group of people and everything they have achieved so far, and I hope that today, I do their work justice for them. I have much to do, so I’ll wish you well and leave you with a hint of what is yet to come.

‘I Had A Hand In This’. Mixed media co-created collage, on A1 foam board

Lifted

What happens when you surround yourself with talented people working in an encouraging environment?

Something like this:

A few weeks ago I wrote a post titled Identity – an exercise in patience, about my work for a forthcoming exhibition. I continued the theme of identity as I worked, and as you can see, the art is now finished and it has been handed in to the curators.

I’ve really enjoyed the challenge of working alongside a group of talented people. Seeing other people produce really good work has motivated me to push myself and be more adventurous, and the fact that people in the group have been so encouraging has been really helpful.

My adventures with stencils and spray paint began a little over a year ago, when I made a few designs to celebrate Record Store Day.

Record Store Day 2018

These initial works are pretty naive, made using very simple cuts, and erratic spray work. Even so – I like them, they represent the beginning of what has become my vinyl junkie project, something I enjoy very much. Although I still consider myself a novice when it comes to stencil art, it’s good to be able to look back over a period of time and see how my practice is developing. Cataloguing and showing your work is a very important part of working practice for me.

I can’t wait to see all the work under one roof, it’ll be quite a show. I’ll share more information on that once arrangements are finalised. For now though, I simply want to acknowledge the power of working in a talented group where encouragement and cooperation is high, competition is not emphasised, and when requested, advice is freely offered.

In my consulting experience – organisations frequently express a desire to collaborate across teams and departments, yet the way things are structured – reward, appraisals, hierarchy etc – often mitigates against this. I realise this group of artists I’m currently with are only loosely connected, but I wonder what the world of learning and development can learn from us, and how we work with each other?