Life From A Window : Our London

Keira’s school recently had a ‘Take Your Daughter To Work’ day, which we managed to coincide with an experimental day of live painting at the London offices of AECOM. We were invited to explore the theme of ‘Our London’ for the day, and we duly headed into town on the Overground train during rush hour (I was keen to give Keira the full commuting experience!) to get to work.

We set up in the main reception area on the 16th floor, overlooking the city of London. The view from the window is spectacular – even on a wet cloudy day like the one we had. Keira and I were keen to contrast the wide panoramic view of a wealthy city as seen from the window, with a more close up view of the streets immediately surrounding the building we worked in. We also wanted to involve other people in our work.

People began to show curiosity in what we were doing, so we engaged them in conversations about the view, and about their experiences of London and the local area. We spoke about how the view changes according to time of day, seasons, weather etc. Several folk suggested a series of works to reflect these changes. The view at night came up a few times, and we sought to represent that in a painting. We also invited people to take photographs out of the window, without being any more specific than that.

People also spoke with us about the streets of London, and transport came up a fair bit so we made a street scene using paint for the ‘map’ and polaroids taken by Keira at street level, to represent some of what we heard in the conversations.

We made some geometric abstractions of buildings/cityscape – and experimented with some tracing overlays too, as a way of acknowledging the different ways people described ‘Our London’.

This slideshow requires JavaScript.

We had planned to turn everyone’s photographs into a collage cityscape, and we ran into some technical printing difficulties on the day, so that part of the project remains a work in progress.

Life From A Window

The idea was to invite people to engage, thank you to the many people who responded to that invitation. We used what we learned to inform and conduct some small experiments, and we observed how we and others responded to what was going on.

We had a really interesting time. There was no grand plan at this stage, just an opportunity to drop something different into the working day, a small stone which set off a series of ripples.

Acknowledgements

This work would not have been possible without Keira, and the support of Malcolm, Hilary, and Sharon at AECOM, thank you all. The team at reception supported us well, and encouraged folk to interact with us, thank you. Thanks to everyone who took time to speak with us, suggest ideas, and take photographs.

In Motion

Last Friday was a very special night. I was at an event at the famous revolving restaurant on the 34th floor of the BT Tower. After enjoying an excellent dinner, we had the opportunity to make art while the restaurant obligingly did its thing, offering us an ever changing view of London. I couldn’t resist the opportunity and took a wide panoramic canvas (80cm x 30cm) and started work.

I painted what I saw, as it appeared in front of me, and as the view moved, so did what appeared in the painting. I ended up with an abstraction of the view over London at night. This is the painting in situ, just after the restaurant stopped moving.

IMG_3639.jpg

Here’s another view, looking straight at the canvas. I really enjoyed making this art work, it has real pace and movement to it, and I quickly realised I had to go with the flow, and let London appear, and appear, and appear. I am really enjoying scaling up my work.

IMG_3680.jpg

London Calling

I was over in Ohio last week at the 42nd annual state HR conference. It was an excellent trip catching up with old friends, making new ones, and learning from each other. Whilst there I gave a talk on Art for Work’s Sake, and two more on collaboration. At the end of each session I gave away a copy of Austin Kleon’s book, Steal Like An Artist. I give this book away often, so often I’ve lost count of the number of copies I have bought and passed on. This time – I decided to add a little something of my own to the mix, so I included a small water colour and pen sketch with each book.

I painted some water colour onto wet card and let them dry overnight. Then I drew on some iconic London related imagery, added the London Calling call sign, and my signature. All in all I guess each one took me about 45 minutes to make, the blue one slightly longer. I think I will repeat this experiment with future book giveaways, I enjoy being able to include something personal, something handmade.

London Calling 2 London Calling 1 London Calling 3