Facebook recently flashed up one of those ‘remember this’ photos. I rarely pay attention to this Facebook feature, but this particular post was of a photograph of some art I had made in 2015, titled Signals Part Three. The art sold to friends in the USA, and the photo which Facebook nudged into my view, depicted the finished, framed, displayed pieces.
I really enjoyed making these art works. At the time I was experimenting with new forms of paint, and the colours in these works were all made from just three tubes of paint. The sense of geometry in these works, periodically played with in order to create some gentle disturbance, was and is part of my artistic experimentation.
The main thing I took from this Facebook reminder, is that our work is an evolving thing. I often feel reluctance to take part in and share something new, when in fact, what I am usually doing is tweaking and refining. A process, a design, an idea. I don’t like to dwell in the past for too long, and a brief look back often helps us look forward. If you were to flick back through your work a couple of years or so – what patterns might you find? More to follow…
A few conversations this week have brought to mind the importance of spotting patterns in our work. One off events have their place, and what else do you notice through repeated observations? Is my behaviour today out of the ordinary, or is this how you normally experience me? Should you or I do anything differently as a result? These conversations got pretty deep at times, and as I began to surface, I thought about an artistic interpretation of what had been spoken.
But what to paint? I looked to nature first, the greatest pattern maker of all.
The bottom row emerged first, hints of something floral? The top row came next. Plant life of some sort, maybe coral? I enjoyed watching the paint strokes interact, each overlapping movement creating a darker shade than the original stroke. Mixing slight variations from my paintbox – not identical patterns, just exploring similarities.
I’m enjoying working on panoramic paper at the moment so I cut a sheet from a larger piece, and reworked the patterning.
This time I mixed my shades from liquid watercolour, blending alizarin crimson with cerulean blue and cadmium yellow. Slightly bolder tones, the basic shape the same, the overlapping, darkening shades. This piece of patterning will be the next free art drop. If you live in my neighbourhood, keep an eye out for it over the weekend.