Diversity In The Bored Room

I really enjoyed listening to Lenny Henry at the recent Changeboard Future Talent event. His talk was funny and powerful – I was live blogging on the day and first shared some of what he spoke about here.

Something which really struck me in the talk, and which has stayed with me, was a focus on the lack of diversity inclusion and representation, both in the media, and in the wider world of work. This extract is from my earlier blog post about the talk:

Lenny called out the lack of racial diversity in the room. He told us of recent times in the media, where figures show that for every BAME person who lost their job, two white people were employed. This is partly why Lenny Henry continues his campaigning in the media for greater diversity, inclusion, and representation.

Diversity in the boardrooms – that’s where change starts.

If you think you can’t change it yourself? Apply pressure to those who can.

It’s easy to spot the places and people taking diversity, inclusion, and representation more seriously. They put real jobs, and money behind it!

Out of curiosity, I started to take a look at the very top levels of some of the organisations sponsoring and speaking at the event. I’ve always had a sense of the inequality in the upper echelons of business, but never sat down and taken a good look at it myself. In doing so, I recognise that diversity has many facets, and as my friend Laura Tribe suggests, ‘looking diverse isn’t being diverse’, however what my small piece of research uncovered is a much more distorted picture than I had previously imagined. Here’s what I found (what follows is an edit of a thread I shared on Twitter):

I went to an event this week where diversity and inclusion was high on the agenda. One of the speakers said change has to start in the boardrooms. This point got me curious, so I’m currently looking at boards and senior leadership teams of some of the event sponsors and the companies represented by some of the speakers at the event. What I am seeing is white faces everywhere.

I appreciate there are elements of diversity and inclusion which go unseen, but what I observe so far, is overwhelming sameness. Here is just one example, there are plenty of similar ones to choose from.

Photos of the current board of directors at capita plc. 6 white men, 2 white women.

 

Here is another board of directors represented at the event. There is a little more gender diversity among the the next hierarchical level down, the executive team, but it is still overwhelmingly white.

Photographs of the main board of directors at Aviva plc. 5 white men.

 

Here’s another board, the first one I’ve come across so far with a woman CEO. At the executive level, one down from here, there are two women and nine men in the group of 11, no people of colour.

Photos of the main board at royal mail. 6 white men, 3 white women

Beauty In Impermanence

The free art project begins its third year. Last week’s painting has been hidden and found – where it has gone to, and with whom, I do not know.

This week there’s blossom on the trees – a sight of fleeting beauty. This week’s free art drop could be seen as an homage to those blossoming moments. It’s a simple water colour sketch, titled ‘You Might As Well Love Me Today, For Tomorrow I Will Be Gone Forever’.

 

We Are All Artists : Free Art Project Second Anniversary

Start something. Keep going. Be Curious.

The next free art drop is about to hit the streets. So what? This one feels a little special to me, as it marks the second anniversary of the We Are All Artists free art project. 104 consecutive weeks of making and hiding art, most of it in and around Wallington and Carshalton, with occasional trips further afield. There are 151 pieces of my work in the collection so far, plus an additional 7 made by other people.

I’ve been working on this second anniversary piece all week, and it’s now finished. Here are some photos of the work in progress.

This is the biggest piece I’ve made for the project so far, a 40cm x 80cm canvas showing a koi, a Japanese symbol of good fortune. It might prove a little tricky to hide, but I’m looking forward to finding a super sneaky place to leave it.

Thank you to everyone who has supported and taken part in the project so far. It grows into itself, and beyond too. When I look back at my work over the past 24 months I can’t imagine being without this experiment, it currently informs so much of what I do.

In case you are interested, the symbols in the lower left corner are my attempt at Chinese calligraphy. They signify ‘developing, becoming different.’

Footnote

I thought you might like to see a photo of where I eventually hid the art (long story short a mix of bad weather meant I tried and failed to hide this piece on two previous occasions – this was third time lucky).