Not Giving Up : An Artistic Collaboration

This is the 50th consecutive week I have made and given away art. Coincidentally it is also the week in which Chloe Ray releases her new EP, titled Reprise, and Chloe and I have been talking about how we can jointly celebrate. The last track on the EP is titled ‘Not Giving Up’ and we decided I would make a painting with the same title. The title of the work resonates for me because the free art project is partly about not giving up.

This week, I asked the community for ideas to inspire the art, and I received many replies. Among the suggestions were light at the end of the tunnel, sunrises, and much more. Initially I thought about stylising the local landscape in some way to incorporate some of these ideas. However, I’ve also been experiencing a lot of stress in parts of my work lately – and I needed a release. I realised the initial landscaping idea wasn’t going to cut it in my current mood – so I upscaled. I took a large canvas outside and really threw myself at the work. What has emerged is a much more abstract image, one for me which captures the spirit of the ideas people shared, captures the song title, and expresses some of how I’m currently feeling.

This art work will be on display this evening for Chloe’s launch event at The Brook, before it is hidden for you to find somewhere in the neighbourhood this weekend, along with a signed copy of Chloe’s new EP.

Thank you to everyone who supports the free art project, it is nothing without you. Thank you Chloe for inviting me to collaborate with you on this special occasion.

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Preliminary sketch for Not Giving Up

The Art of Resilience : Coping with loss, making connections

A tale of coping with loss, connection and creativity, and the beauty of impermanence

Wednesday 8th March 2017. I stood at the front of the stage, facing bright lights and about 200 people. Alongside me stood some of my art.

My friend, and conference chair Neil Usher introduced me. He said some lovely things about me, none of which I can remember!

I told the audience how nervous I was feeling. I did this as part of my coping mechanism, and also to explain that we all have a story to tell, and if I can stand there, overcome my nerves and tell my story, you can choose to do that too.

As a member of the Women’s Equality Party and with it being International Women’s Day, I felt compelled to say something about the speaker line up. I thanked Clare and Flick, the two women presenters among the line up of seventeen people, and thanked and encouraged the conference organisers to continue down this path in pursuit of a more balanced line up in future.

Introductions over, it’s time to get started. I’d been asked to deliver my session in the Pecha Kucha format. 20 slides, each one on screen for just 20 seconds. This is a tough presenting discipline, it requires a lot of planning, and distillation.

Here is a rough transcript of the talk:

What is resilience? In a search for the meaning of life, I approached Facebook and Twitter, asking, I say resilience, you say…?

I was overwhelmed with responses – almost all of them different. Too many to list and I hope to distil some in the next few minutes.

Writing in the New Yorker, Maria Konnikova says:

‘Whether you can be said to have resilience or not largely depends, on the way your life unfolds. If you are lucky enough to never experience any sort of adversity, we won’t know how resilient you are. It’s only when you’re faced with obstacles, stress, and other environmental threats that resilience, or the lack of it, emerges: Do you succumb or do you surmount?’

I take issue with this either or/binary approach – for me, part of resilience is being open to the possibilities. I use art in my consulting work because it invites inquiry, Its subjective nature helps us let go of our addiction to certainty.

The human brain holds many thoughts – let’s use more of them to nurture ourselves, and each other, in pursuit of better outcomes.

I’m going to briefly touch on my experience of resilience in relation to three important things.

  • Coping with loss
  • Connection and creativity
  • The beauty of impermanence

In 2012 when my Dad died, after the post death rush of the funeral, I tried to get over the loss. The harder I tried the more I failed.

Elizabeth Kubler-Ross and John Kessler wrote

‘The reality is you will grieve forever. You will not get over the loss of a loved one; you will learn to live with it. You will heal and you will rebuild yourself around the loss you have suffered. You will be whole again but, you will never be the same. Nor should you be the same, nor would you want to.’

Once I grasped this, and it took years to do so, I could then appreciate I am not the same, nor do I want to be.

We need to stop telling each other to get over loss, and encourage healing and rebuilding instead.

[My friend Stephanie Barnes suggests: This feeling need not occur just around the death of a loved one, but divorce, loss of a job, sudden/unexpected change in life circumstance. They are definitely not all the same magnitude, but they do go through a similar mourning/grieving process. Mourning the life you thought you were going to have, for example.]

Tash Stallard, a dear friend, suggests that when we undertake those simple things which bring us joy – taking a walk, reading, and in my case, painting, we dissolve the need for resilience. There’s real power in this idea. I love Tash and how she thinks.

As my art develops, my need for resilience may dissolve? I slowly become more confident, with colour, shape, and texture. I start to experiment with themes, currently I’m exploring a form of elemental art. Connectedness borne of what we come from, and what we need to survive. Each element; earth, water, air, fire, is made tangible in geometric forms, using acrylic paints, gold and silver leaf. I also find the confidence to share different, emerging work with you. I rebuild resilience through experimentation, and the sharing helps strengthen connections.

In April 2016 I began to make art and give it away in my local community of Wallington and Carshalton. So far I’ve made and given away 75 art works. The connections made with my practice, with community are invaluable. The people in my home town know each other better, in part thanks to the art. And it’s not just my immediate community – I’ve left work in Australia and the USA, as well as other parts of the UK too.

I’m starting to approach the community for ideas – what should I paint this week? These exchanges, small though they are, build connectedness, and resilience among us. As my resilience grows around the project, I take on ideas I wouldn’t have dreamt of previously. I’m asked, can you paint a turtle? It would appear the answer is yes.

There’s a lot of love in and around this project.

My third observation is this. There is beauty in impermanence and imperfection, and our resilience helps us see this.

Kintsugi is the Japanese art of repairing broken pottery with lacquer containing powdered gold. As a philosophy, it treats breakage and repair as part of the history of the object, rather than something to disguise. Kintsugi pieces are prized precisely because they have been broken. The cracks you see in these pieces represents how the broken lines themselves are so beautiful, and so important, that they are rejoined with gold instead of glue.

In our lives, we often try to repair our broken places with glue. We quietly work to piece our lives back together after life-changing events, hoping that if we do a good enough job, the cracks won’t be readily visible. Sooner or later, we all carry scars, whether they be internal, external, or both. We will all break in different places, and in different ways. To me, resilience means acknowledging the beauty in those breaks, not trying to deny their existence.

But what really matters, as I learned in my search, is what’s important to you. I hope you find more of that here, today.

People responded in a lovely way, both immediately after the talk, and through the rest of the day. Yes it was a nerve racking experience, and I’m glad I did it, and I’m pleased to have been asked.

Steadfast : A Portrait

Along with colleagues, I’ve been helping to soak up a stressful situation at work lately. It’s been hard – trying to look out for one another and look out for myself too. Over the weekend I ran, gave away some art, and spent some lovely time with family too, yet in the background, the stress remained.

On Saturday night, still looking for a release, I opened a few tubes of paint and using only my fingers, I painted a portrait. Portraiture is alien to me, as is not using a brush, and I felt I struggled to make an image.

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Unhappy with what I’d made, I nevertheless left the portrait to dry overnight.

On Sunday I felt no happier with the work in its original form, and I returned to it. After a few more fingerfuls of paint, here’s where I got to.

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I shared this image on Facebook and was a little surprised by the favourable responses. I had been looking to paint a distressed face – what I see is something more stern, more resolute. Although I felt a little happier with this adapted version, I was still mindful to overpaint this canvas.

The day went on. I slowly relaxed, and as I did – I felt closer to the image on the canvas. By Sunday evening I had decided that this canvas should not be overpainted.

This last photo shows the canvas framed by shadow in the Monday morning sunlight. In this photo you can really see the scars in the face, which are a coincidence left behind from a previous painting onto which I painted this one.

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Footnote

I mentioned the portrait is painted over another image. I thought you might be interested to see what lies beneath…

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Elements of this earlier work were initially inspired by a visit several years ago to the Picasso Museum in Malaga. A friend remarked, ‘the [earlier] painting had me thinking about how Picasso and others around the turn of the 20th century were inspired by African artefacts and masks. Maybe they were meant to be together…?’