Patterning

A few conversations this week have brought to mind the importance of spotting patterns in our work. One off events have their place, and what else do you notice through repeated observations? Is my behaviour today out of the ordinary, or is this how you normally experience me? Should you or I do anything differently as a result? These conversations got pretty deep at times, and as I began to surface, I thought about an artistic interpretation of what had been spoken.

But what to paint? I looked to nature first, the greatest pattern maker of all.

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The bottom row emerged first, hints of something floral? The top row came next. Plant life of some sort, maybe coral? I enjoyed watching the paint strokes interact, each overlapping movement creating a darker shade than the original stroke. Mixing slight variations from my paintbox – not identical patterns, just exploring similarities.

I’m enjoying working on panoramic paper at the moment so I cut a sheet from a larger piece, and reworked the patterning.

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This time I mixed my shades from liquid watercolour, blending alizarin crimson with cerulean blue and cadmium yellow. Slightly bolder tones, the basic shape the same, the overlapping, darkening shades. This piece of patterning will be the next free art drop. If you live in my neighbourhood, keep an eye out for it over the weekend.

A New Kind of Commission

Most of my painting is driven by me, by what I want to paint. Usually when I am commissioned to paint for someone, it’s as a result of them having seen my work and wanting something similar.

Recently I was commissioned by a third party, to paint a sketch for someone’s birthday. We exchanged a few messages about a possible design, before I was asked ‘Could you paint a turtle?’ I’d no idea, having never done so before, so I offered to give it a go.

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The answer appears to be, ‘yes I can’. My client and the eventual recipient are both really happy with this work, as am I. It’s not a subject I would have chosen, and I am really pleased that on this occasion, I was asked to try something new and different. It was a useful reminder to be open to the possibilities. For those of you who may be interested, this is a sketch in acrylic paint on rough 300 gsm paper, laid on top of a simple watercolour wash.

 

 

Edge of Glory

I’m taking part in the 64Million Artists January creative challenge. Each day of this month a challenge is set, and you take part, or not. It’s up to you. I’ve had a go at most of them so far, and this week I made my first painting in response to the following:

Just Imagine …

The great Albert Einstein once said that: ‘Logic can take you from a to b but imagination can take you anywhere.’ Children draw orange trees and blue grass and yellow elephants – they draw what they want to see. Inspired by this, today we would like you to unlock your own imagination and:

Get to the highest point you can, either in your house or office or school or outside, wherever you are. Look as far as you can. Draw what you can imagine there – be as fantastical as you like. Or realistic. Look out and imagine who might be standing there looking back towards you.

This is my response.

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How high could I get? In my mind I climbed high enough to see the curvature of the earth, and painted what was in my imagination. Edge of Glory. Acrylic and gold leaf. This painting will be given away this weekend as part of the We Are All Artists free art project.