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Not For Me, Not For You, But For Us

A review of the London LnDcowork visit to ScratchHub, a beautiful coworking venue in Battersea

Along with Gill Martin and Gaëlle Watson, I am one of three London LnDCowork hosts , and we are always looking for interesting new places to introduce to our network. Recently, we were fortunate to be given an introduction to ScratchHub, the coworking space at Battersea Arts Centre.

Battersea? Who coworks in Battersea!? Most of our London LnDcowork sessions take place very centrally – and we were interested to see how things would shape up if we moved out a bit, and (shudder) drifted away from the tube network. Any doubts we had were quickly dispersed; the venue is a short walk from Clapham Junction station and for many of our guests that day, it was as easy, if not easier to get to than the centre of the city. One of our guests travelled over from Cambridge, several overcame their ‘South of The River’ syndrome, and I think I had one of the most straightforward trips, a 20 minute train ride and a ten minute walk.

We were greeted warmly at the entrance to ScratchHub, located at the rear of the main building, and given a great space to work in. Battersea Arts Centre is a beautiful place – and a sense of being in a creative space is evident in the ScratchHub coworking area. As well as some theatrical symbols, the walls are adorned with prompts and ideas to encourage personal reflection, and a sense of engagement too. The place has a community feel about it, with a time bank on offer, and some board games. Play is an important part of what makes us human and it’s great to see playfulness being encouraged in a working environment.

‘Non mihi, non tibi, sed nobis’ reads the beautifully painted motto adorning the walls of ScratchHub. Not for me, not for you, but for us.

Beyond the hygiene factors (wi-fi, natural light, good acoustics, and an abundance of plug sockets) coworking is about two things; people and place. Both were spot on for this visit. 10/10.

Jayne Davids, one of our coworking guests, has put together a great short video which showcases both the beauty and creativity of ScratchHub, and why LnDcowork matters. I hope you enjoy watching and we look forward to seeing you at an LnDcoworking session soon; dates and locations of future sessions are available here.

Afterimage : A Remembrance Piece

After hearing the news of Neil Peart’s death earlier this week – my thoughts turned to how I might acknowledge his life through the free art project. I wanted to reference his lyrics and connect these with a design familiar to Rush fans.

The song Afterimage opens with the lines:

Suddenly, you were gone

From all the lives you left your mark upon

N Peart

The song later begins to conclude with:

I learned your love for life

I feel the way that you would

I feel your presence

I remember

N Peart

Neil Peart was a private person, and news of his ill health had successfully been kept from the media – so in that respect, his death came as a shock. These words feel apt.

As an image – I chose to adapt the Rush Starman design originally by Hugh Syme. Peart once described the design as ‘the abstract man against the masses’. I’ve chosen to represent the design with tiny dots – and sought to create a fading out appearance towards the bottom of the design. ‘Afterimage’ will be the next free art drop and it will be accompanied by a print out of this blog post.

‘Afterimage’ adapted from an original design by Hugh Syme

Neil Peart : Rest In Peace

Waiting For The Band : R40 : Columbus Ohio

Rush. I have so many memories associated with this band. As I emerged from my fascination with punk and new wave, they offered something completely different, Rush became and stayed a guilty pleasure through the 1980s. Going to see them at the old Wembley Arena became a habit, and though I became less interested in their music in the 90s, I returned with renewed excitement in the 00s and beyond. The last three tours, Time Machine, Clockwork Angels, and R40 were all very, very special.

My excellent friend Curly and I went to the O2 for the Time Machine and it was pure joy – slightly helped by the fact that I managed to sneak a really nice bottle of wine into the venue up my coat sleeve.

I took the equally excellent Ade, and Curly to Clockwork Angels as a thank you for their support in the aftermath of the death of my Dad. We popped a bottle of champagne over the Thames on the riverbus, and though for me there was a tinge of sadness around the gig (2 reasons – thinking of Dad and I spilled a whole pint of overpriced beer!) the music was perfect and we got to see Rush perform The Garden – it only happened on this tour. For me, The Garden is the ultimate song about death, about passing, about what if anything remains. Beautiful and fitting.

When Rush announced the R40 tour there was no European leg. I was 50 when they toured, and I had some work planned in the USA (thank you Laurie I’ll never forget your kindness). The very lovely Carole suggested I try to link the work with the tour – and so I bought myself a ticket to see Rush live in Columbus Ohio. I travelled via Summer Brandcamp where I got to hang out with Dwane, Jason, Laurie, Michael, Jonathan, Amanda and many others, at an outstanding event which changed me for the better. I went on through Cleveland, spending excellent time with friends Tammy and Frank, before driving down to Columbus which included a brief stop to meet Jackie and some of her colleagues. The Columbus gig was excellent. This was the first and only time I saw Rush perform live without a friend to accompany me, and I watched them bring the curtain down in spectacular fashion.

I love how music and other art forms are able to get under the skin – connect you with others, move you, raise you, and drop you too. I never got to meet Neil Peart – but I couldn’t be happier that Geddy Lee and Alex Lifeson did. Neil Peart. 12/09/1952 : 07/01/2020 <3