A few conversations this week have brought to mind the importance of spotting patterns in our work. One off events have their place, and what else do you notice through repeated observations? Is my behaviour today out of the ordinary, or is this how you normally experience me? Should you or I do anything differently as a result? These conversations got pretty deep at times, and as I began to surface, I thought about an artistic interpretation of what had been spoken.
But what to paint? I looked to nature first, the greatest pattern maker of all.
The bottom row emerged first, hints of something floral? The top row came next. Plant life of some sort, maybe coral? I enjoyed watching the paint strokes interact, each overlapping movement creating a darker shade than the original stroke. Mixing slight variations from my paintbox – not identical patterns, just exploring similarities.
I’m enjoying working on panoramic paper at the moment so I cut a sheet from a larger piece, and reworked the patterning.
This time I mixed my shades from liquid watercolour, blending alizarin crimson with cerulean blue and cadmium yellow. Slightly bolder tones, the basic shape the same, the overlapping, darkening shades. This piece of patterning will be the next free art drop. If you live in my neighbourhood, keep an eye out for it over the weekend.
There’s a tree outside my window, currently full of blossom. On Sunday I went for a walk in the neighbourhood and saw blossom everywhere. On returning home, I remembered I had a winter tree sketch made a few weeks ago, sitting in my ‘unfinished business’ pile. I mixed up some pinks, whites, and reds, and carefully brought the winter tree into a new season.
I shared this new Spring tree on Facebook, then put it in my Etsy shop, where it sold about fifteen seconds after I’d listed it. Head spinning stuff! I’ve since listed a short run, limited edition print of 30 which have started to sell too. Maybe it’s just the timeliness of the image, but whatever it is, I’ve not experienced such a strong and fast positive reaction to my work before now. Thank you to everyone who has shared this image online, and given such encouraging feedback. I appreciate your support.
I think this painting wins the longest title competition, in my current body of work at least. The image is intended to represent the currently underwhelming June weather we are experiencing here in London.
Painted on an A4 sheet of watercolour paper using Cadmium Yellow and Ultramarine Blue paint in varying strengths, and with varying amounts of water on the paper. I used an empty biro tube for the blown effects.
I will leave this piece of art (unframed) in Wallington as part of my ongoing art drop experiment.