Signals – Part Two

Just over two years ago, I rattled off a sketch titled Signals – Part One. I’d always intended that sketch to be part of an ongoing series, exploring the tension between digital and analogue, regular and irregular. It’s taken me a while – but here, finally, is Signals – Part Two, complete in a little oak frame.

Signals - Part Two
Signals – Part Two

In this sketch, the regular is represented in the straight lines (initially drawn using a ruler) leading out from the top right hand side of the sketch. The fan lines are drawn freehand, and then blue acrylic paint has been splurged and brushed into each tick, or v shape. Lastly – the small hint of orange water colour is there to represent a little dissonance in the signal, a bit like the hiss and crackle on a vinyl record.

This sketch has been mailed to someone in Derbyshire, and who knows – maybe a Part Three will be along sometime…

Lust for Life

A few thoughts and ideas on life, the little guy and getting paid – from Iggy Pop.

Iggy Pop

The radio was tuned to BBC 6 Music a few nights ago and so I was fortunate to hear Iggy Pop deliver the 2014 John Peel lecture, he chose to speak about ‘Free Music in a Capitalist Society’. His talk is an engaging interesting piece of work and it’s available to replay and download here for a short while yet. I also recorded the session on TV and sat down to watch it yesterday. Although Mr Pop (we are not on first name terms yet) was addressing the music/entertainment industry – I got a lot from what he said and wanted to share a few things with you. These aren’t direct quotes as such – I was just enjoying watching the talk and at the same time, trying to pick up a few interesting threads.

On being yourself: If you are who you are, that is really hard to steal, and being you takes you in interesting directions when the road gets blocked, and it will. You are better off with your own identity.

On getting ripped off: I loved my vinyl bootlegs – they did a lot for me. The packaging was often way more creative than the official stuff. Bootlegs moved beyond both the industry and the artist. But now – everyone’s a bootlegger – we are swapping the corporate ripoff for a public ripoff. Devices estrange people from their morals. Thieving is bad, but so many people are broke and abandoned, who am I to say you can’t watch some shitty movie for free after you’ve worked yourself hard all day for almost no money?

On not getting stuck: Diversify – streams dry up. Don’t complain about it, survive it.

On getting paid: So how do you engage society as an artist and get paid? It’s a matter of art, endurance and study. Be curious, find smarter people to learn from. I don’t worry too much about what I get paid for any given thing – I never expected much in the first place.

On the little guy: Youtube, Spotify, they have the numbers. And the indies have the guns.

On giving: Give freely, not in the hope of reciprocal profit, but out of self respect.

On life: Dream – be generous, pursuit is better than arrival. Diversify, stay away from drugs (pause for laughs) and talent judges. Get organised, do better than me. Hang on to hopes, hang on to who you are.

If you can find the time – please check the talk out and let me know what you think, and what you take away from it too.

photo credit

Down At The Beach

Art inspired by the importance of spending time with good friends.

I had a rare opportunity to catch up with three old friends last weekend. We take a trip to the coast once a year for a night or two away just to goof around and catch up with one another. It’s great fun. Even rarer – this year the weather was so still and mild, we opted to sit out on the beach all night. We dragged a huge box of beer and some wood to a quiet place, lit a fire and drank and talked for hours.

I took paints with me on the trip, I figured it might be easier to use acrylics for a change, and a palette to mix colours from a set of around a dozen tubes I have. In the end, what with the beer and the moonlight offering very little to see by – I opted just to splodge around pretty much directly from the paint tubes and see what happened. As I added different colours to the pictures I sometimes mixed sand in too. As well as acting as a strong reminder of where the pictures were made, I also enjoyed adding something different to the mix. As a result – these pictures have a depth and texture that water colour, which I work with more frequently, doesn’t provide.

This first picture represents the glowing fire we made on the beach, and the second picture is an abstraction of looking across the beach and out over the water and the night sky beyond. Although it was dark – together we were in excellent company and the brightness of the picture is an interpretation of that. The FireBeing in Good CompanyThe first picture is on 240 g/m2 acrylic paper, 17.5cm x 12.5cm. The second picture is on 270 g/m2 water colour paper, 32cm x 24cm.