“Nothing happens until something moves” Albert Einstein.
In April 2018 I made my first tentative steps into stencil cutting and spray painting. I used Record Store Day as the spark to cut and spray some simple lettering designs onto old LP records. The response to these initial pieces was positive, so I kept making, and the vinyl junkie project was born.
I began to develop my own lettering styles and experiment with different paint effects, and then I received my first vinyl junkie commission. I was learning lots about how painful on the fingers stencil cutting is, and how fiddly spray paint can sometimes be. I was enjoying the project, things were going well.
A couple of months later, while showing my work at the 2018 Carshalton Artists Open Studios, I received some unsolicited feedback on the vinyl junkie project. ‘It’s a bit A-level, a bit student. These aren’t very good, I think you should stop doing them’.
One of the things I experienced when I was at my lowest with stress and burnout, was a tendency to focus on the negative, and I took this feedback to heart. The open studios event was a success, but in the aftermath, I put the vinyl to one side, and stopped making. Every day I walked past a small stack of vinyl leaning in the studio doorway, and every day I did nothing about it. The vinyl shifted from something I really enjoyed using, to becoming an obstacle around which I skirted every time I passed through the doorway.
This went on for a while, until one day I accidentally kicked the pile, and some of the vinyl scattered on the floor. I restacked the pieces and carried on. Two days later, during my weekly counselling, I talked about this story, and concluded it was time to either restart the vinyl junkie project, or put it away and move on.
“Nothing happens until something moves” Albert Einstein
I decided to go again, and almost immediately after making the decision, a commission enquiry arrived, and that enquiry turned into this.
I was asked by some good friends to make something with a nod to the city of Cleveland where they live. I experimented with a few stencil cuts before settling on the one you see here, laid onto a starry night sky background. The piece on the right was a surprise thank you for my friends, incorporating letters of their names into a heart shape. Shortly after making these, I was approached by someone wanting a black cat vinyl. This black cat commission marked my first move into multi layered stencil cutting, and I am continuing to develop my practice with more layers, and different paint effects.
I’ve learned a few things from this experience:
- Whilst I can’t stop unsolicited feedback – I don’t have to pay it any attention.
- When giving feedback, I should ask if it is wanted first.
- Getting stuck isn’t great, but it happens. When it does, remember that nothing happens until something moves.
- Show your work.
- Keep experimenting.
What’s next for the vinyl junkie project? I don’t know, and I am open to commission enquiries so if you have any ideas, drop me a line and let’s talk.