A review of Leap Day 2016
Act One : Scene One
Monday 29th February 2016, a group of 15 intrepid, curious explorers gathered at The British Library. I distributed our Leap Day journals, and read a short poem which we discovered on Leap Day 2012. This poem was printed and stuck into each copy of the journal.
Act One : Scene Two
With our nod to the previous Leap Day complete – we took time to explore the Alice in Wonderland exhibition at The British Library. As we did so – we thought about beginnings, and before we headed off down the rabbit hole to our next destination, we stood and shared some of the things we found. I’ve written many in my journal, here are just a few:
She generally gave herself very good advice (though she very seldom followed it). Found by Jo Stephenson in the exhibition.
You do not know if
What you leave behind
Will weave into our world
And ignite beauty into our mind
A poem by Meg Peppin
‘It’s too dark to read anything except your thoughts’ I forget who spotted this. If it was you – let me know and I’ll pop your name in here.
From the point of ignition
To the final drive
The point of the journey
Is not to arrive
Anything can happen… N. Peart
That’s enough about lessons, tell her about games now. Found by Steve Chapman in the exhibition.
With our beginnings shared, we headed off. As we left the building, we shared some home made chocolate and cranberry brownies. When Alice at the ‘Eat Me’ cake, she grew. I wondered how we would grow throughout the day.
Act Two : Scene One
Some of us walked to Tate Modern, some caught the tube. On arrival, we explored an exhibition titled Making Traces and considered a few questions. The questions were:
How do you leave a trace?
A footprint, a photograph or a mark of where you were?
What do traces tell us about what happened before?
What trace would you leave for others to discover?
I traced the outline of my hand into my journal, then made another copy of my hand on a sheet of tracing paper, following the lines of the grain on the wooden floor of the gallery. I overlaid one onto the other. I made some drawings, copying and blind drawing (method illustrated here), and I thought about physical traces, online traces, and legacy too. I found this process thoughtful, enjoyable, uplifting, particularly when considering legacy. Here is some of my work.
Act Two : Scene Two
As we prepared to leave Tate Modern I distributed pieces of an artwork titled Good Hearts, which I made over the weekend. I wasn’t sure how to integrate this gift into the day, and as we stood together in the gallery, this felt like the right time to give.
Interlude : Lunch and conversations at Borough Market
Act Three : Scene One
Over lunch, some conversations emerged about what to do next. We decided to walk to the National Theatre where we would stop, and make some art. Like everything in the day – this was an invitation, and on arrival, some of us drew and painted, some of us did other things. Those of us who made art, agreed to distribute it for others to pick up and take home – a collective trace of Leap Day. What a lovely idea. Here is some of our art.
Act Three : Scene Two
Those of us who remained – drifted to the bar and shared some more good conversation over a drink. Thanks to everyone who came along for a day of useful fun. Without people, you’re nothing.
Exit stage left.
Michelle Parry-Slater has kindly written about her Leap Day experience here.
Steve Chapman has kindly written a piece related to Leap Day and more, here.
I used Twitter and Slack to coordinate Leap Day and correspond with everyone. I think I only sent two emails, both very early on in the preparation. I was new to Slack – and found it a bit tricky to adopt but once I got my feet under the virtual desk, I found it a useful place to share project information, news and updates with the group.
I enjoy this work because: it’s fun, I learn new things, I like doing things for others : making the journals, the Leap Day logo, the art, the chocolate brownies, all these things were a pleasure.
We were short of time at the end of Leap Day and several people left their art with me – I agreed to distribute it for them. Fortunately I was in a position to retrace some of our steps later in the week so the commitment was fulfilled in close proximity to where the making took place. I enjoyed the process of honouring the group and letting go of the work for others to find. As this piece says, ‘JUST CREATE and don’t be attached to it’.
Be invitational, be kind, be encouraging, be open to possibilities.